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[recordings] [scores] [music research] [images] [contact] |
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Jura V (withdrawn) |
1983 | 5' | digital music | created in the studios of the University of Birmingham |
Coup de Fille (withdrawn) |
1985 | 12' | digital music | created in the studios of the University of Birmingham |
Cloches (withdrawn) |
1987 | 10' | digital music | created in the studios of the University of Birmingham |
Shortstuff |
1993 | 9' | digital music | created in the studios of the University of Birmingham and Northern College, Aberdeen |
Shioum |
1994 | 9' | digital music | created in the studios of the University of Birmingham and Northern College, Aberdeen |
Altered Images |
1995 | 12' | digital music | created in the studios of the University of Birmingham and Northern College, Aberdeen |
Onset/Offset |
1996 | 7' | digital music | created in the studios of the University of Birmingham and Northern College, Aberdeen |
Peel |
1997 | 12' | digital music | created in the studios of the University of Birmingham and Northern College, Aberdeen |
Fast-Tech (withdrawn) |
1997 | 5' | digital music | created in the studio of Northern College, Aberdeen and the composer's own studio |
ABZ/A |
1998 | 5' | radiophonic music | created in the composer's own studio |
Vox Magna |
2003 | 13' | digital music | created in the composer's own studio |
Serendipities and Synchronicities |
2004 | 6' | radiophonic music | created in the composer's own studio and the studios of the University of Aberdeen |
Banchory Ears |
2004 | 9' | soundscape composition | created in the composer's own studio and the studios of the University of Aberdeen |
Fields of Silence |
2005 | 9' | digital music | created in the composer's own studio and the studios of the University of Aberdeen |
Still Voices |
2005 | 6' | digital music | created in the composer's own studio and the studios of the University of Aberdeen |
scènes, rendez-vous |
2006 | 18' | digital music | created in the studios of the Groupe de Recherches Musicales, Paris |
Back to Square One |
2007 | 10' | digital music | created in the studios of IMEB, Bourges, France |
Elegy (Tramp, with wheezing) |
2010 | 2' | digital music | created in the composer's own studio and the studios of the University of Aberdeen |
Crossing (Bergen) |
2012 | 3' | digital music | created in the composer's own studio and the studios of the University of Aberdeen |
Hatsyiatsya (withdrawn) |
1984 | 12' | drum kit and digital music | created in the studios of the University of Birmingham |
Myth |
1986 | 12' | four amplified voices (SATB) and live electronics |
Faible |
1987 | 7' | electric harp and live electronics | composed for Rupert Parker |
Squirt |
1994 | 13' | alto saxophone and digital music | created in the studios of the University of Birmingham |
Thickness |
2000 | 8' | flute, viola and digital music | created in the composer's own studio |
Planar |
2006 | 12' | trumpet and digital music | composed for Mark O'Keeffe and created in the composer's own studio and the studios of the University of Aberdeen |
bɜ:dz |
2008 | 4' | organ and digital music | composed for the 60th birthday of Richard Turbet and created in the composer's own studio and the studios of the University of Aberdeen |
Diverse Tremblings |
2013 | 8' | contrabass flute and digital music | composed for Richard Craig and created in the composer's own studio and the studios of the University of Aberdeen |
| 1997 | digital sound score for film (with Colvin Greig and Gordon Jones) | created in the composer's own studio |
Concrete Rose |
1997 | 15' | digital sound score for film by Irene Leake | created in the composer's own studio |
Sunnifa |
1998 | 60' | digital sound score for dance by Andy Howitt and sculpture by Anne Bevan | created in the studio of Northern College, Aberdeen and the composer's own studio |
| 1999 | digital sound score for galleries in visitor attraction (with Peter Key, sound design) | created in the composer's own studio |
| 2000 | digital sound score for galleries in visitor attraction (with Peter Key, sound design) | created in the composer's own studio |
| 2000 | digital sound score for galleries in visitor attraction (with Peter Key, sound design) | created in the composer's own studio |
DE |
2000 | 13' | MIDI sound score for dance by Andy Howitt | created in the composer's own studio |
Undercovered |
2000 | digital sound score for visual art installation by Anne Bevan | created in the composer's own studio |
| 2001 | digital sound score for galleries in visitor attraction (with Peter Key, sound design) | created in the composer's own studio |
Level |
2001 | digital sound score for visual art installation by Anne Bevan | created in the composer's own studio |
Banchory Faces |
2003 | digital sound score for photography exhibition | created in the composer's own studio |
Benjamin Franklin House |
2006 | digital sound score for galleries in visitor attraction (with Peter Key, sound design) | created in the composer's own studio and the studios of the University of Aberdeen |
[HOME] |
2006 | digital sound score for theatre production | created in the composer's own studio and the studios of the University of Aberdeen |
Resound |
2006 | 17' | digital sound installation | created in the composer's own studio and the studios of the University of Aberdeen |
74 Degrees North |
2010 | 18' | electroacoustic score for opera | created in the composer's own studio and the studios of the University of Aberdeen. Colloboration with Paul Mealor with libretto by Peter Davidson |
Amo' the Thrang |
2011 | digital sound installation | created in the composer's own studio and the studios of the University of Aberdeen |
Aurphones |
2012 | 3' | audio-visual work | created in the composer's own studio and the studios of the University of Aberdeen, to images compiled by Ross Whyte |
Piece (withdrawn) |
1984 | variable length | two pianos |
Autogeny (withdrawn) |
1993 | 5' | solo violin |
Hilton Soundscape |
late 2013 | - | web-based sound installation | Exploration of notion of sonic archaeology using Google Earth |
Rowett Soundscape |
late 2013 | - | web-based sound installation | Sound mapping project preserving sounds of the Rowett Institute of Food and Nutrition |
Lost Princes |
Nov 2013 | c.15' | baritone voice and electronics | Piece for Jeremy Huw Williams with text by Peter Davidson |
Changing Landscapes |
Nov 2013 | c.10' | acousmatic music | piece using sounds recorded along the route of the proposed Aberdeen Western Peripheral route |
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early 2014 | - | acousmatic music | number of pieces to accompany images from the Aberdeen Bestiary |
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early 2014 | c.10' | vioin and electronics | Piece for Darragh Morgan |
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Nov 2014 | c.10' | clarsach and electronics | Piece for Alan Carr |